New and Old Stories
Two works, separated by a turn of the century. One, the final collaboration between Bill T. Jones and Arnie Zane; the other, made 25 years after Zane’s death.
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World-class review of ballet and dance.
Northern Ballet's critically-acclaimed adaptation of “The Great Gatsby,” now in its tenth year, is back on May 16th at Sadler's Wells. With superb choreography from David Nixon CBE, audiences are sure to be dazzled by their highly visual, pulse-raising production, which promises to go deep into the scandals, decadence, wild parties and heart-rending tragedies. Above all, the piece will explore the huge moral ambiguity at the heart of the classic Jazz Age drama.
Dominique Larose as Daisy and Javier Torres as Gatsby in “The Great Gatsby.” Photograph by Emma Kauldhar
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Two works, separated by a turn of the century. One, the final collaboration between Bill T. Jones and Arnie Zane; the other, made 25 years after Zane’s death.
PlusLast December, two works presented at Réplika Teatro in Madrid (Lucía Marote’s “La carne del mundo” and Clara Pampyn’s “La intérprete”) offered different but resonant meditations on embodiment, through memory and identity.
PlusIn a world where Tchaikovsky meets Hans Christian Andersen, circus meets dance, ducks transform and hook-up with swans, and of course a different outcome emerges.
PlusMao Zedong’s famous statement that women hold up half the sky may sound poetic and even liberating.
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