Mishima’s Muse
Japan Society’s Yukio Mishima centennial series culminated with “Mishima’s Muse – Noh Theater,” which was actually three programs of traditional noh works that Japanese author Yukio Mishima adapted into modern plays.
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World-class review of ballet and dance.
Northern Ballet's critically-acclaimed adaptation of “The Great Gatsby,” now in its tenth year, is back on May 16th at Sadler's Wells. With superb choreography from David Nixon CBE, audiences are sure to be dazzled by their highly visual, pulse-raising production, which promises to go deep into the scandals, decadence, wild parties and heart-rending tragedies. Above all, the piece will explore the huge moral ambiguity at the heart of the classic Jazz Age drama.
Dominique Larose as Daisy and Javier Torres as Gatsby in “The Great Gatsby.” Photograph by Emma Kauldhar
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Japan Society’s Yukio Mishima centennial series culminated with “Mishima’s Muse – Noh Theater,” which was actually three programs of traditional noh works that Japanese author Yukio Mishima adapted into modern plays.
PlusThroughout the year, our critics attend hundreds of dance performances, whether onsite, outdoors, or on the proscenium stage, around the world.
PlusOn December 11th, the Alvin Ailey American Dance Theater presented two premieres and two dances that had premiered just a week prior.
PlusThe “Contrastes” evening is one of the Paris Opéra Ballet’s increasingly frequent ventures into non-classical choreographic territory.
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