In his own cabinet of natural curiosities, the Amsterdam-based pharmacist, Albertus Seba (1665–1736), placed exotic plants and corals, birds and butterflies, and slithering snakes alongside shells in fantastical fanned formations to delight the eye. In the Australian Ballet’s Artistic Director, David McAllister’s first full-length production and choreographic debut with a staging of Petipa and Tchaikovsky’s “The Sleeping Beauty,” it is not hard to surmise that as a long-term former dancer with the company and now at the helm as director for his fifteenth year, McAllister himself has constructed something of his own golden ‘wunderkammer’ with this work. A production replete with gold sprinkling from the ceiling, twinkling chandeliers, round like jellyfish, and greened nymphs that weave in and out like a serpentine vine; a true baroque ‘irregular pearl’ of a ballet, years in the making, and legacy building.
The Australian Ballet's “The Sleeping Beauty.” Photograph by Jeff Busby
One would think that a dance inspired by the events of the January 6 insurrection—yes, a dance!—would not be the ideal stuff of theater, but the eight members of Laurie Sefton Creates (formerly Clairobscur Dance Company), succeeded in giving life to Sefton’s premiere “Herd. Person?”, while the dance, itself, was occasionally problematic.Plus