Lifted Spirits
Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
PlusWorld-class review of ballet and dance.
This year marks the tenth anniversary of Cathy Weis' “Sundays on Broadway,” a performance series that welcomes experimentation from a curated group of seasoned and emerging artists hosted intimately in Weis’ SoHo loft. The series is one of only a handful of its kind that still exists in New York today: Weis’ building, which is located on Broadway between Prince and Spring Streets, was once home to the postmodern “downtown” dance scene of the 1970s. Today, her loft is one of the last remaining artist-occupied apartments in what is now one of Manhattan's most expensive neighborhoods.
Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
PlusTalk about Gesamtkunstwerk! Jawole Willa Jo Zollar’s “SCAT!...The Complex Lives of Al & Dot, Dot & Al Zollar,” is just that—a total work of art: operatic in scale, replete with stellar musicians and singers, and the glorious dancers of Urban Bush Women, the troupe that Zollar founded in 1984, is also storytelling at its best.
PlusOf all of Shakespeare’s plays, “Hamlet” might seem the hardest to adapt into dance. Its long soliloquies and a titular character stymied by indecision do not immediately scream movement potential.
PlusComplexions Contemporary Ballet turned 30 this year, and their two-week residency at the Joyce Theater was a party.
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