Modern Dance Hold’em
Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
PlusWorld-class review of ballet and dance.
It's not just little girls who dream of escaping into ballet. Created for the screen by Christopher Hampson and set and costume designer Lez Brotherston and filmed by directors Jess and Morgs, The Secret Theatre comes across as a Victorian toybox full of rich, endless surprises. When a young boy, played with exuberance and wonder by Leo Tetteh, finds his way into an empty theatre, he is taken on an adventure into the heart of Christmas ballet, where dancers cast spells before his eyes. Here, Scottish Ballet bring the viewer not one, but two, magical ballets for the festive season, as they integrate moments from “The Snow Queen” and “The Nutcracker” together in their first feature film.
Scottish Ballet's The Secret Theatre. Photograph by Mihaela Bodlovic
“Uncommonly intelligent, substantial coverage.”
Already a paid subscriber? Login
Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
PlusAs a dance viewer, it’s easy to get swept up in the grand movements in a piece, glossing over the finer details.
PlusHubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater.
PlusThe legendary Cuban dancer Carlos Acosta trained relentlessly to come out of retirement last year for a performance of classical works in celebration of his 50th birthday at the Royal Ballet, where he spent most of his professional career.
FREE ARTICLE
comments