Into the Wilde
At a time when the arts in America are under attack and many small dance companies are quietly disappearing, San Francisco’s dance scene—for decades second in its volume of activity only to New York—still has a pulse.
PlusWorld-class review of ballet and dance.
It's not just little girls who dream of escaping into ballet. Created for the screen by Christopher Hampson and set and costume designer Lez Brotherston and filmed by directors Jess and Morgs, The Secret Theatre comes across as a Victorian toybox full of rich, endless surprises. When a young boy, played with exuberance and wonder by Leo Tetteh, finds his way into an empty theatre, he is taken on an adventure into the heart of Christmas ballet, where dancers cast spells before his eyes. Here, Scottish Ballet bring the viewer not one, but two, magical ballets for the festive season, as they integrate moments from “The Snow Queen” and “The Nutcracker” together in their first feature film.
Scottish Ballet's The Secret Theatre. Photograph by Mihaela Bodlovic
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At a time when the arts in America are under attack and many small dance companies are quietly disappearing, San Francisco’s dance scene—for decades second in its volume of activity only to New York—still has a pulse.
PlusNoé Soulier enters the space without warning, and it takes a few seconds for the chattering audience to register the man now standing before them, dressed simply in a grey t-shirt and black pants, barefoot.
PlusIn the first few seconds that the lights come up on BalletX at the Joyce Theater, an audience member murmurs her assent: “I love it already.”
PlusThe right foil can sharpen the distinct shapes of a choreographic work, making it appear more completely itself through the comparison of another.
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