Modern Dance Hold’em
Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
PlusWorld-class review of ballet and dance.
At first, there is nothing—just the cream and brown clad figure of Scottish Dance Theatre's guest dancer Yosuke Kusano who walks across a wooden floor. As the floor is bare, so too are his very exacting movements, just enough to infer tension: minimal, sharp and mired in a kind of self-protective series of gestures. A hand is raised like an alarm signal. He tiptoes. He moves instinctively, his body governed entirely by the feelings that exist in that exact moment. Suddenly, he pulls at something just visible to the side of his shoulder—a strand of hair that is seemingly not his own. Golden wisps of hair are picked out by the light, and Kusano pulls carefully at the strands, then recoils.
Yosuke Kusano in Scottish Dance Theatre's new film, “Thin h/as h/air” by Pauline Torzuoli
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Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
PlusAs a dance viewer, it’s easy to get swept up in the grand movements in a piece, glossing over the finer details.
PlusHubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater.
PlusThe legendary Cuban dancer Carlos Acosta trained relentlessly to come out of retirement last year for a performance of classical works in celebration of his 50th birthday at the Royal Ballet, where he spent most of his professional career.
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