Sweet Fields
According to artistic director Peter Boal’s welcome letter for Pacific Northwest Ballet’s fifth season program, the most popular mixed rep slates at PNB feature works by Crystal Pite or Twyla Tharp.
PlusWorld-class review of ballet and dance.
For any dance aficionado, Sadler's Wells is a legendary location. From the first theatre built in the seventeenth century, to the present day, with the sixth theatre standing in the prestigious Clerkenwell area of London, countless numbers of dancers, actors, choreographers and directors have cut their teeth here. The series of short online films presented by Sadler's Wells and currently available on YouTube are as eclectic as anything from the venue's centuries of inspiration. They all show the diversity of performances as well as the progression of dance, in terms of both choreography and developmental film techniques on screen. Watching these very individual films on lockdown feels poignant, not just because of observing social distancing, but it also leaves the viewer wondering about the future of maintaining dance as an art form in such uncertain times, as theatres across the world remain closed.
National Youth Dance Company in “Madhead” by Botis Seva. Photograph by Tony Nandi
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According to artistic director Peter Boal’s welcome letter for Pacific Northwest Ballet’s fifth season program, the most popular mixed rep slates at PNB feature works by Crystal Pite or Twyla Tharp.
PlusLassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
PlusAs a dance viewer, it’s easy to get swept up in the grand movements in a piece, glossing over the finer details.
PlusHubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater.
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