Modern Dance Hold’em
Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
PlusWorld-class review of ballet and dance.
“Ochres” was a watershed production for Bangarra Dance Theatre, Australia’s first Indigenous dance company. First performed in 1994, it was a defining moment for the then fledgling company, leading to sell-out shows and critical acclaim. At the time, the work was a bold statement, blending traditional and contemporary dance, while bravely highlighting modern day struggles overlaid on a rich cultural history. Two decades later, and the company’s artistic director, the indomitable Stephen Page, has revived the iconic work in to mark both the production and the company’s 21-year milestone.
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Tara Robertson in Bangarra Dance Theatre “Ochres.” Photograph by Edward Mulvihill
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Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
PlusAs a dance viewer, it’s easy to get swept up in the grand movements in a piece, glossing over the finer details.
PlusHubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater.
PlusThe legendary Cuban dancer Carlos Acosta trained relentlessly to come out of retirement last year for a performance of classical works in celebration of his 50th birthday at the Royal Ballet, where he spent most of his professional career.
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