Jennifer Homans, The New Yorker’s dance critic, has written a must-read biography, Mr. B: George Balanchine’s 20th Century. While plenty of ink has been spilled about the iconic choreographer, what makes Homans’s work distinct is her ability to get inside his head and capture his spiritual and personal life in graceful, poetic prose. Reading this monumental work felt like a full-bodied experience.
Jennifer Homans. Photograph by Brigitte Lacombe
The son of a painter and a set designer, director/choreographer Jean-Christophe Maillot was, it seems, destined to have a life in the theater. Born and raised in Tours, in central France, in 1960, he studied dance and piano at the Conservatoire Nacional de Région de Tours before joining the Rosella Hightower International School of Dance in Cannes.Plus