Lifted Spirits
Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
PlusWorld-class review of ballet and dance.
With the spate of great dance in Los Angeles this summer—from Oguri’s “dance comes out of time,” to Dutch National Ballet’s “Frida,” choreographed by Annabelle Lopez Ochoa, and with a sumptuous commissioned score by Peter Salem (performed live, no less)—it was a family affair when the Brazilian dance troupe, Grupo Corpo, rocked the Hollywood Bowl last week, the heat coming from more than climate change.
Performance
Place
Words
Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
PlusTalk about Gesamtkunstwerk! Jawole Willa Jo Zollar’s “SCAT!...The Complex Lives of Al & Dot, Dot & Al Zollar,” is just that—a total work of art: operatic in scale, replete with stellar musicians and singers, and the glorious dancers of Urban Bush Women, the troupe that Zollar founded in 1984, is also storytelling at its best.
PlusOf all of Shakespeare’s plays, “Hamlet” might seem the hardest to adapt into dance. Its long soliloquies and a titular character stymied by indecision do not immediately scream movement potential.
PlusComplexions Contemporary Ballet turned 30 this year, and their two-week residency at the Joyce Theater was a party.
Plus
comments