Into the Wilde
At a time when the arts in America are under attack and many small dance companies are quietly disappearing, San Francisco’s dance scene—for decades second in its volume of activity only to New York—still has a pulse.
PlusWorld-class review of ballet and dance.
“Your body is a repository of memory,” says the voiceover in Retrace-Retract, Gregory Maqoma's film which is part of the Dancing In The Streets series for the Edinburgh International Festival, focusing on the issue of home. ”I am your compass. . . The spirit will guide you.” Threaded throughout this beautiful, inspiring film, directed and choreographed by Maqoma, is the poetry of Jefferson Tshabalala, which interrogates issues around poverty, inequality and strategies for survival; but also of selfhood and spirituality. These particular streets—Soweto's bustling streets in South Africa—are the backdrop. They signify the return to the source, the retracing of steps, the better to make sense of Maqoma's own life.
Gregory Maqoma in “Retrace Retract.” Photograph by Moeletsi Mabe
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At a time when the arts in America are under attack and many small dance companies are quietly disappearing, San Francisco’s dance scene—for decades second in its volume of activity only to New York—still has a pulse.
PlusNoé Soulier enters the space without warning, and it takes a few seconds for the chattering audience to register the man now standing before them, dressed simply in a grey t-shirt and black pants, barefoot.
PlusIn the first few seconds that the lights come up on BalletX at the Joyce Theater, an audience member murmurs her assent: “I love it already.”
PlusThe right foil can sharpen the distinct shapes of a choreographic work, making it appear more completely itself through the comparison of another.
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