Other Delights
Last week, during the first Fjord Review Dance Critics’ Festival, Mindy Aloff discussed and read from an Edwin Denby essay during “The Critic’s Process” panel.
PlusWorld-class review of ballet and dance.
In Deborah Jowitt’s new biography of Martha Graham, Errand into the Maze, the iconic dancer and choreographer is made new, and radical, again. This is no simple feat given how many artists and dance lovers worldwide have, at the very least, a passing familiarity with Graham’s immense presence, dramatic proclamations, and enduring choreography. The accomplishment is even more significant when considering the sheer volume that has been written by her and about her, including last year’s mammoth biography Martha Graham: When Dance Became Modern by Neil Baldwin. Where Baldwin leaned into the encyclopedic, Jowitt has pruned and curated. The result is a highly readable journey that brings you deep into Graham’s heart, aka “the Maze,” through an expert tour of her dances.
“Uncommonly intelligent, substantial coverage.”
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Last week, during the first Fjord Review Dance Critics’ Festival, Mindy Aloff discussed and read from an Edwin Denby essay during “The Critic’s Process” panel.
PlusThere are “Nutcrackers,” and then there’s American Contemporary Ballet’s “The Nutcracker Suite.”
PlusIs it as traditional as there being “The Nutcracker” or the British pantomime on at Christmas time, for there to be an alternative offering?
PlusTo paraphrase that great song from “A Chorus Line,” the Los Angeles-based BodyTraffic gave a concert that might best be summed up as, “Dancers 10, Choreographers, well, 3.”
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