Channeling Sinéad
So often, dancers are treated as vessels for a choreographer’s vision. Movements are imprinted on their bodies and they must, to the best of their abilities, convince the audience that they believe.
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World-class review of ballet and dance.
The Flamenco Festival has been bringing Spain's greatest flamenco artists to New York City Center for twenty years. This year's two-week run saw the National Ballet of Spain, Premio Nacional de Danza winner Olga Pericet in her intimate solo piece, “La Leona,” and Gala Flamenca, highlighting dance talents Manuel Liñán, Alfonso Losa, El Yiyo, and Paula Comitre, accompanied by vocalist Sandra Carrasco. Steven Pisano photographed the festival for Fjord Review.
So often, dancers are treated as vessels for a choreographer’s vision. Movements are imprinted on their bodies and they must, to the best of their abilities, convince the audience that they believe.
PlusThere’s hot, and then there’s blistering, as was evidenced when “Flamenco! María Bermúdez Convivencias,” was presented to the nearly sold-out crowd at the Ford on Saturday night.
PlusLike Eve with the apple, the story of Pandora’s box hinges on a clear divide—the ideal before and the sullied after.
PlusIt hasn’t taken Ingrid Silva long to establish herself as an exciting emerging choreographic talent.
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