Painterly Expression
The Sarasota Ballet’s return to Jacob’s Pillow for five days of a triple bill that included two little-seen works by Sir Frederick Ashton and a world premiere by Jessica Lang, was charged with anticipation and curiosity.
PlusWorld-class review of ballet and dance.
Tucson, Arizona-based choreographer Yvonne Montoya’s latest work, “Stories from Home,” is part history, part geographical homage, and part family scrapbook. Montoya was inspired to create the piece, which is composed of 12 dances that work together to tell eight stories, after her father passed away due to cancer in 2015.
Montoya’s father worked in the Los Alamos National Laboratory, the government facility where the atomic bomb was famously created. “The government ended up paying for my dad’s terminal cancer treatment because they admitted to exposing [the workers] to things that were highly toxic, nuclear, and radioactive,” Montoya says.
The Sarasota Ballet’s return to Jacob’s Pillow for five days of a triple bill that included two little-seen works by Sir Frederick Ashton and a world premiere by Jessica Lang, was charged with anticipation and curiosity.
PlusLos Angeles–based dance artist Jay Carlon knew that the proscenium stage couldn’t house his 2024 work, “Wake,” in its fullness. So he moved it elsewhere: to a rave.
PlusChoreography wasn’t on Lia Cirio’s radar when artistic director Mikko Nissinen asked her to participate in Boston Ballet’s ChoreograpHER initiative in 2018.
PlusIngrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke.
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