Ce site Web a des limites de navigation. Il est recommandé d'utiliser un navigateur comme Edge, Chrome, Safari ou Firefox.

Flying Fish

Designed by Alice has been a go-to for dancers for whimsical ballet skirts, and luxurious handmade accessories such as silk scarves and scrunchies. DBA has just released a bodysuit in the signature Somefish design, a jewel-toned watercolour reminiscent of the sea. We caught up with Alice Williamson, the talent behind the label, to chat about the new line, running a business during the pandemic, and her creative projects.

Tene Ward in bodysuit by Designed by Alice. Photograph by Karolina Kuras

“The bodysuit has been five years in the making,” says the UK-based designer and dancer. Usually busy juggling an array of creative projects, lockdown gave Williamson a chance to revisit the bodysuit, a project which she started several years ago.

Inspired by the sea, the Somefish bodysuit is made from recycled plastic bottles, fished out of the oceans they pollute. “It's always been important to me that I avoid making ‘stuff’,” she says. The sustainable material offers two-way stretch as well as being resistant to chlorine, UV and oils so would-be mermaids can enjoy a day at the beach or working out in the studio.

Williamson, a classically trained dancer who performed for over a decade with dance companies in the UK, started DBA in 2010. Wanting to expand her creative horizons, the label began as an umbrella for her creative talents, including design and illustration. She quickly branched out into multi-disciplinary projects, residencies and commissions spanning dance, photography, film and design.​

Her motto might be expect the unexpected: Williamson's projects include choreographing for robots at Harvard's ArtLab, choreographing, directing and designing costumes for “Skeleton Song” by critically acclaimed singer and composer Ana Silvera, making soft toys for JellyCat, and photographing for Vogue Italia with dancer Juliet Burnett.

Coming into her eleventh year of Designed by Alice, she says, it's become her “main thing,” no longer a side-hustle or creative outlet. “As a designer, I want to create pieces that collaborate with the human body,” she writes on her Instagram. Fans of the brand can look forward to an expanding presence in and beyond the dance studio.

Somefish bodysuits are currently available to pre-order on Designed by Alice.

Penelope Ford


Penelope is the founding editor of Fjord Review, international magazine of dance and ballet. Penelope graduated from Law and Arts with majors in philosophy and languages from the University of Melbourne, Australia, before turning to the world of dance. She lives in Italy.

subscribe to the latest in dance


“Uncommonly intelligent, substantial coverage.”

Your weekly source for world-class dance reviews, interviews, articles, and more.

Already a paid subscriber? Login

comments

Veuillez noter que les commentaires doivent être approvés avant d'être affichés

Featured

Power Play
REVIEWS | Kris Kosaka

Power Play

The lights dim and the mystical Eye of Horus commands our focus. Hieroglyphics and distinctive carvings flank the famous Egyptian symbol of resurrection as the overture swells and the drop curtain morphs into a portal to the past.

Plus
American Icons
REVIEWS | Robert Steven Mack

American Icons

Fresh from performing the concert version of George Balanchine’s “Who Cares?” at the Hollywood Bowl earlier this month, Los Angeles Ballet mounted a tribute to “American Icons” which included Jerome Robbins “The Cage,” Paul Taylor’s “Dilly Dilly,” and the return of artistic director Melissa Barak’s “Wavelength” for an evening at the Broad Stage in Santa Monica.

Plus
Dancing with Soul, Stanton Welch
INTERVIEWS | Victoria Looseleaf

Dancing with Soul, Stanton Welch

Born in 1969 to a pair of gifted dancers—Marilyn Jones and Garth Welch—in Melbourne, Australia, it only seemed natural that their son, Stanton Welch, would follow in his parents’ balletic footsteps.

Plus
Sunset over Malandain Ballet Biarritz
REVIEWS | Elsa Giovanna Simonetti

Sunset over Malandain Ballet Biarritz

Malandain Ballet Biarritz is approaching the end of an era. After nearly three decades at its helm, Thierry Malandain will hand over the direction of the Centre Chorégraphique National to Martin Harriague in January 2027.

Plus
Good Subscription Agency