Catching the Moment with Paul Kolnik
For nearly 50 years the legendary dance photographer, Paul Kolnik, helped create the visual identity of the New York City Ballet.
PlusWorld-class review of ballet and dance.
Few choreographers made work which endures and resonates like the mighty Pina Bausch. She wasn't just an iconoclastic presence, she created work that still shocks, gets under the skin and into the marrow, and feels so visceral that it is timeless—whether it was through certain nuanced presentations of violence or societal taboos; staging work in unusual locations or bringing older and younger dancers together as twinned iterations of themselves. She stripped back veneers of genteel bourgeois respectability. She got down and dirty, she provoked, teased at larger truths about the human condition, and kept it real. Work was not always created to follow in a linear narrative, sometimes things could just be.
“Dancing at Dusk: a moment with Pina Bausch's The Rite of Spring,” directed by Florian Heinzen-Ziob Still by polyphem Filmproduktion
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For nearly 50 years the legendary dance photographer, Paul Kolnik, helped create the visual identity of the New York City Ballet.
PlusTushrik Fredericks walks as if in a trance, arms floating forward and pushing back with each step. Fog transforms the air into a tangible element.
PlusHouston Ballet is the fourth largest ballet company in the United States, but when it comes to the talent of its top dancers, they are the equal of any American company.
PlusThe height of summer has arrived to New York’s lush and idyllic Hudson Valley. Tonight, in addition to music credited on the official program, we are treated to a chorus of crickets and tree frogs in the open-air pavilion of PS21 Center for Contemporary Performance.
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