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Dance Guide

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Elisa Badenes and Friedemann Vogel in “Mayerling” by Kenneth MacMillan. Photograph credit: Stuttgart Ballet

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Never Forget
REVIEWS | Victoria Looseleaf

Never Forget

Never forget!” With the 80th anniversary of the liberation of Auschwitz and International Holocaust Remembrance Day both having been recognized last month, these words, although unspoken, coursed through Melissa Barak’s first evening-length ballet, “Memoryhouse.”

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Shamel Pitts, Part of the TRIBE
INTERVIEWS | Victoria Looseleaf

Shamel Pitts, Part of the TRIBE

Talk about having a banner year! In 2024 alone, dancer, choreographer and spoken word artist Shamel Pitts not only received a MacArthur Fellowship and the Doris Duke Award, but was also honored with the Knight Choreography Prize.

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A Muted Malpaso
REVIEWS | Karen Hildebrand

A Muted Malpaso

Translated, “malpaso” means misstep, suggesting clumsiness. In the case of Havana based Malpaso Dance Company, the name is a clever misdirection, pointing to a sense of humor often present with this versatile and highly trained troupe.

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Winter Lake Effects 
REVIEWS | Faye Arthurs

Winter Lake Effects 

On the eve of George Balanchine’s birthday, the New York City Ballet opened its Winter Season with a killer all-Balanchine program: “Concerto Barocco,” “Allegro Brillante,” and “Brahms-Schoenberg Quartet.”

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