World-class review of ballet and dance.
We are delighted to announce the inaugural Fjord Review Dance Critics' Festival!
The United States is surreal at this moment. Dancers in black have been circling the Kennedy Center in Washington D.C., performing Pina Bausch’s “Nelken Line” choreography to protest the self-proclaimed dictator making himself chair of the Center’s board. Choreographers are giving up hopes of National Endowment for the Arts funding now that guidelines demand “patriotic” art.
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Los Angeles-based Heidi Duckler, dubbed “Queen of Site-Specific Dance,” and whose Heidi Duckler Dance is celebrating 40 years of transforming spaces through the power of contemporary movement—kudos!—has stepped aside as artistic director, handing the reigns to associate artistic director, Raymond Ejiofor.
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“Tanz” opens on a ballet class like none I’ve ever attended. Onstage are two portable barres and four dancers in rehearsal clothes stretching and warming up. Eighty-three year old ballerina Beatrice Cordua teaches from a wheelchair, naked.
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John Scott Dance's “Begin Anywhere” started in the middle. A dancer walked to the center of the Irish Arts Center's JL Greene Theatre holding a discman, placed it on the floor, and pressed play.
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Sorry I couldn’t be there too. Ar you going to post some commentary on the event? Here’s hoping everyone is having a peaceful and happy holiday.
very very cool, with some of my favorite critics weighing in! I wish I could be there.