A Journey of Healing
Across North Africa, the all-night music-dance-trance ritual called lila (pronounced lee-lah) is celebrated as a means for spiritual healing.
FREE ARTICLEWorld-class review of ballet and dance.
Casting is central to the most recent revival of Pina Bausch’s “The Rite of Spring.” Touring with a new duet entitled “common ground[s],” the mixed bill was put together as an homage to Bausch. While Bausch’s 1975 masterwork features 34 extremely talented, diversely trained dancers from 14 African countries, “common ground[s]” creates an entire universe with just two captivating dancers in their seventies: Senegalese-French choreographer Germaine Acogny, founder of the international education center for traditional and contemporary African dances, Ecole des Sables, and the French dancer Malou Airaudo, who is a former member of Bausch’s Tanztheater Wuppertal. The show, co-produced by the Pina Bausch Foundation, Ecole des Sables, and Sadler’s Wells, was set to premiere in Dakar in early 2020, but the pandemic forced the newly assembled company to disband before that performance. (However, the film “Dancing at Dusk,” captures the final run through of “Rite,” on a beach, before the world went into lock downs. It is available here through Friday, January 5th.)
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Across North Africa, the all-night music-dance-trance ritual called lila (pronounced lee-lah) is celebrated as a means for spiritual healing.
FREE ARTICLEThe Fall for Dance Festival programming formula runs roughly thus: feature a new troupe, include a pet (or vanity) project of a big NYC star, and end with a feel-good group showcase.
PlusHe is the love of your life. You are his one-and-only. The pair of you is doomed: Obligations to the social order make your relationship impossible. The only way out—double suicide. Actually, this being eighteenth-century Japan, you let him literally do it all; still, you are his forever and there is no turning back.
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