Phoenix Rising
The traditional striped kabuki curtain of black, persimmon and green hangs tattered and faded. It’s our first hint of destruction.
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World-class review of ballet and dance.
“Art is the only way to travel without leaving home.” Twyla Tharp’s quote rings truer than ever, as we negotiate our various states of isolation. For dancers, the Covid-19 pandemic has meant training at home, taking part in online classes, and interacting with dance fans via social media. For the foreseeable future, the performing arts are confined to the digital realm.
Photograph by Karolina Kuras
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The traditional striped kabuki curtain of black, persimmon and green hangs tattered and faded. It’s our first hint of destruction.
PlusOn the final weekend of August, Kaatsbaan Cultural Park presented Anna Sperber’s Bessie award-winning dance “Bow Echo” during the opening day of its 2026 Annual Festival.
PlusThere is site-specific dance—think Trisha Brown’s 1970 groundbreaking work, “Man Walking Down the Side of a Building”—and then there’s Sarah Gordon Butler’s “Hay Rake Ballet.”
PlusThis summer, hidden within the red brick warehouses and graffitied construction panels of industrial East Williamsburg, Brooklyn lay a secret garden.
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