Golden Touch
Ingrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke.
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Big leaps, big smiles, big energy—Carlos Acosta’s new “Don Quixote” for Birmingham Royal Ballet does its darndest to capture the larger-than-life spirit of Petipa’s nineteenth-century classic. There are glittering costumes, merry character dances, silk fans swizzling, flamenco-style. There’s no runaway windmill, like in the 2013 version Acosta mounted for the Royal Ballet, but Tim Hatley’s starburst stage design sports its own wow factors, including a luscious velveteen colour palette.
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Momoko Hirata as Kitri with artists of Birmingham Royal Ballet in “Don Quixote.” Photograph by Johan Persson
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Ingrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke.
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