Eye Candy
’Tis the season, so it would be churlish to pick holes in Christopher Hampson's glorious confection, adapted from Peter Darrell's iconic work.
FREE ARTICLEWorld-class review of ballet and dance.
Guillaume Côté's new ballet, “Being and Nothingness” made its premiere alongside two-thirds of Alexei Ratmansky's “Shostakovich Trilogy.” Two quite different pieces to put together and yet the bill was a success. Côté's existential mood allowed the dancers to explore darker shades in vingettes, while Ratmansky's “Shostakovich Trilogy” kept a steady flow of movement.
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Kathryn Hosier and Félix Paquet in Guillaume Côté's “Being and Nothingness.” Photo by Karolina Kuras
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’Tis the season, so it would be churlish to pick holes in Christopher Hampson's glorious confection, adapted from Peter Darrell's iconic work.
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