Ce site Web a des limites de navigation. Il est recommandé d'utiliser un navigateur comme Edge, Chrome, Safari ou Firefox.

Behind the Lens

Many will know Ethan Watts as a dancer with the National Ballet of Canada, but few may know he is a keen photographer. Watts joined us on the set of our upcoming video for Fjord Review #2 at the invitation of Karolina Kuras, to capture the action and ambience of the shoot. Watts photographs exclusively with film. His pictures show not only a trained dancer's eye, but a clear instinct for catching the moment.

Ethan Watts. Photograph by Karolina Kuras for Skylar Campbell Dance Collective

subscribe to the latest in dance


“Uncommonly intelligent, substantial coverage.”

Your weekly source for world-class dance reviews, interviews, articles, and more.

Already a paid subscriber? Login

Watts, born and raised in San Francisco, trained at the San Francisco Ballet School and at the Academy of Ballet, California. He joined the National Ballet of Canada in 2013 and notably cavaliered his partner Hannah Fischer to success at the 2015 International Competition for the Erik Bruhn Prize. What follows are excerpts from our brief back-and-forth on Instagram, where I asked Watts about his foray into photography.

FR: How did you become interested in photography, and using film in particular?

EW: My dad used to take pictures on his film camera when I was a kid, and I don't know, I actually thought it was annoying because he would make me stop all the time and take a picture. I don't know how I started, I just tried it and loved it, honestly. I love taking pictures and I love the uncertainty of film.

I love taking pictures and I love the uncertainty of film

Ethan Watts

FR: How would you describe your approach to photography?

EW: My approach is to try to cater to whatever I'm photographing—to try and get to know whatever or whoever—and just be aware of how the person or thing or place feels. But I love photographing people, because people are just the best.

FR: What about cats and dogs?

EW: O fu*k, how could I forget. I love my babies, George and Penelope, and I really believe there are no bad pictures of them, their beautiful spirits always shine through my sometimes subpar skill level.

Ethan Watts' photography will appear in Fjord Review #2. [For pictures of George and Penelope, see Watts' Instagram.]

Penelope Ford


Penelope is the founding editor of Fjord Review, international magazine of dance and ballet. Penelope graduated from Law and Arts with majors in philosophy and languages from the University of Melbourne, Australia, before turning to the world of dance. She lives in Italy.

comments

Featured

Multifaceted Marie
REVIEWS | Sophie Bress

Multifaceted Marie

Marie Antoinette is not an entirely sympathetic character. Her penchant for luxury and extravagance—and the degree to which she was out of touch with the lives of the majority— made her a symbol of the wealth disparity that prompted the French Revolution.

Plus
Poetic Visions
REVIEWS | Cecilia Whalen

Poetic Visions

Ascending the Guggenheim Museum's rings through Rashid Johnson's retrospective, “A Poem for Deep Thinkers,” is a dance in of itself. 

Plus
A Dance Remembered
REVIEWS | Kris Kosaka

A Dance Remembered

A lone musician stands at the corner of the darkened stage. His shakuhachi (bamboo flute) echoes, melancholy, as the sound of an ominous wind rises.

Plus
Cosmic Echo
REVIEWS | Faye Arthurs

Cosmic Echo

“Birth + Carnage” is a fantastic title. The premise behind this show, which premiered at LaMama Experimental Theater Club at the end of December, was exciting too.

Plus
Good Subscription Agency