Smoke and Mirrors
“Vibrations” closes the Opéra Garnier’s 2025/26 season with what might be read as a triptych on dance’s future, past, and present.
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World-class review of ballet and dance.
Many will know Ethan Watts as a dancer with the National Ballet of Canada, but few may know he is a keen photographer. Watts joined us on the set of our upcoming video for Fjord Review #2 at the invitation of Karolina Kuras, to capture the action and ambience of the shoot. Watts photographs exclusively with film. His pictures show not only a trained dancer's eye, but a clear instinct for catching the moment.
Ethan Watts. Photograph by Karolina Kuras for Skylar Campbell Dance Collective
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“Vibrations” closes the Opéra Garnier’s 2025/26 season with what might be read as a triptych on dance’s future, past, and present.
PlusParticles or string? Dark matter or light? The National Ballet of Japan offers up a contemporary double-bill of dance, loosely connected by visual metaphors to modern physics.
PlusWhen Yvonne Rainer choreographed “Trio A” on herself in 1965, it took six months to work out the four-and-half-minute solo. But for many early audience members, its effect was immediate and electric.
PlusNina Ananiashvili was still thrilling audiences as an exceptional ballerina when, in 2004, she got a call from Georgia’s newly elected president, Mikheil Saakashvili.
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