Ce site Web a des limites de navigation. Il est recommandé d'utiliser un navigateur comme Edge, Chrome, Safari ou Firefox.

Behind the Lens

Many will know Ethan Watts as a dancer with the National Ballet of Canada, but few may know he is a keen photographer. Watts joined us on the set of our upcoming video for Fjord Review #2 at the invitation of Karolina Kuras, to capture the action and ambience of the shoot. Watts photographs exclusively with film. His pictures show not only a trained dancer's eye, but a clear instinct for catching the moment.

Ethan Watts. Photograph by Karolina Kuras for Skylar Campbell Dance Collective

subscribe to the latest in dance


“Uncommonly intelligent, substantial coverage.”

Your weekly source for world-class dance reviews, interviews, articles, and more.

Already a paid subscriber? Login

Watts, born and raised in San Francisco, trained at the San Francisco Ballet School and at the Academy of Ballet, California. He joined the National Ballet of Canada in 2013 and notably cavaliered his partner Hannah Fischer to success at the 2015 International Competition for the Erik Bruhn Prize. What follows are excerpts from our brief back-and-forth on Instagram, where I asked Watts about his foray into photography.

FR: How did you become interested in photography, and using film in particular?

EW: My dad used to take pictures on his film camera when I was a kid, and I don't know, I actually thought it was annoying because he would make me stop all the time and take a picture. I don't know how I started, I just tried it and loved it, honestly. I love taking pictures and I love the uncertainty of film.

I love taking pictures and I love the uncertainty of film

Ethan Watts

FR: How would you describe your approach to photography?

EW: My approach is to try to cater to whatever I'm photographing—to try and get to know whatever or whoever—and just be aware of how the person or thing or place feels. But I love photographing people, because people are just the best.

FR: What about cats and dogs?

EW: O fu*k, how could I forget. I love my babies, George and Penelope, and I really believe there are no bad pictures of them, their beautiful spirits always shine through my sometimes subpar skill level.

Ethan Watts' photography will appear in Fjord Review #2. [For pictures of George and Penelope, see Watts' Instagram.]

Penelope Ford


Penelope is the founding editor of Fjord Review, international magazine of dance and ballet. Penelope graduated from Law and Arts with majors in philosophy and languages from the University of Melbourne, Australia, before turning to the world of dance. She lives in Italy.

comments

Featured

Emergent Summer
FIELD NOTES | Candice Thompson

Emergent Summer

Tushrik Fredericks walks as if in a trance, arms floating forward and pushing back with each step. Fog transforms the air into a tangible element.

Plus
Wonderstruck
REVIEWS | Steve Sucato

Wonderstruck

Houston Ballet is the fourth largest ballet company in the United States, but when it comes to the talent of its top dancers, they are the equal of any American company.

Plus
Paul Taylor, Past to Present
REVIEWS | Karen Hildebrand

Paul Taylor, Past to Present

The height of summer has arrived to New York’s lush and idyllic Hudson Valley. Tonight, in addition to music credited on the official program, we are treated to a chorus of crickets and tree frogs in the open-air pavilion of PS21 Center for Contemporary Performance.

Plus
Good Subscription Agency