“First and foremost it’s a party.” This is how Belgian choreographer Anne Teresa de Keersmaeker characterises “Rain,” created in 2001 for her troupe Rosas. As far as festivities go, it falls more on the side of relaxed rendezvous than all-night rager, but certainly a feeling of elation defines the work. Over the past 16 years, “Rain” has become a signature feature in the Rosas repertory and part of the wider pantheon of contemporary classics. Crafted not just in sync but in symbiosis with Steve Reich’s minimalist score “Music for 18 Musicians,” it swirls song and dance to form a dreamy churn of leaps, bounds and zippy xylophone chords.
Rosas perform “Rain.” Photograph by Anne Van Aerschot
The son of a painter and a set designer, director/choreographer Jean-Christophe Maillot was, it seems, destined to have a life in the theater. Born and raised in Tours, in central France, in 1960, he studied dance and piano at the Conservatoire Nacional de Région de Tours before joining the Rosella Hightower International School of Dance in Cannes.Plus