Kitty McNamee, Shining a Light
It’s not every contemporary choreographer who is able to cross over into directing large-scale opera. But that’s precisely what Kitty McNamee has done.
PlusWorld-class review of ballet and dance.
Paris Opera Ballet presented an all-Robbins program at the Garnier from October 24 to November 10: “En Sol,” “In the Night,” and “The Concert,” all works Jerome Robbins made for New York City Ballet. The run of three weeks quickly sold out, for, as the program noted, the company and Robbins have had a long, close relationship, with seventeen of his works in its repertory.
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It’s not every contemporary choreographer who is able to cross over into directing large-scale opera. But that’s precisely what Kitty McNamee has done.
PlusDuring opening night of Ballet West’s performance of Val Caniparoli’s “Jekyll & Hyde,” my dad turned to me and said, “I remember you once told me that dancers are telling stories with their bodies.
PlusIn a small white studio space, the line between performers and audience is being blurred. Choreographer Meytal Blanaru, born in Israel but now Brussels based, has devised this piece along with the dancers, and it’s multifaceted indeed, a study in hope and community spirit, with many playful detours along the way.
PlusStaging the biographical details of someone’s life is by no means an easy task; doing so for a figure who was complex and controversial amplifies this charge to a new level.
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