Un/Natural Behaviour
A night with Thick & Tight might look a little different to a standard evening of contemporary dance, in a few ways.
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World-class review of ballet and dance.
It’s not often these days that aspiring dancers and smaller companies can enjoy the luxury of state-of-the-art facilities to develop their practice and put on a show, especially in a capital city. That’s soon set to change in London, with the opening of Sadler’s Wells East, a spanking new theatre launching in February, featuring six high-spec studios, a flexible 550-seat amphitheatre, outdoor areas, and a large public foyer dubbed the “Dance Floor,” intended as both public meeting place and impromptu performance space.
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A night with Thick & Tight might look a little different to a standard evening of contemporary dance, in a few ways.
PlusIt’s not often that you’ll get three competition kids together with the goal of not being the best. That was the goal of dancers Charlotte Mclean and Jack Anderson in collaboration with composer Malin Lewis.
PlusYou can't see the first character who appears in Kashia Kancey's “I Believed It Too,” which was presented at Baryshnikov Arts September 24-26. From behind the audience enters a veiled figure in a sequined gown. Her face is covered while her body oozes down a staircase, clinging to the railing as she bends and falls, descending onto the stage.
PlusNorthern Ballet is the little company that could. Often forgotten and in the shadow of larger UK companies, there is a sense of a new momentum since the takeover by Federico Bonneli of the Leeds-based outfit.
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