Fighting Spirit
There’s a distinct warrior theme to the evening shared by Angie Pittman and Kyle Marshall, though the two choreographers are working in very different styles and tone.
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Belgian choreographer and film maker Wim Vandekeybus’ work is characterised by absolute extremes: jaw-dropping theatricality; the use and abuse of unusual props, athleticism, frenzy, danger and discomfort. He doesn't deal in soft options; rather, he credits his audience with enough intelligence to enjoy, pick apart and understand his challenging, often dreamlike pieces. The scenography and sound are as integral to the work as the steps.
Simone Damberg Wurtz in “Draw From Within” by Wim Vandekeybus for Rambert. Photograph by Camilla Greenwell
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There’s a distinct warrior theme to the evening shared by Angie Pittman and Kyle Marshall, though the two choreographers are working in very different styles and tone.
Continue ReadingIt’s not often these days that aspiring dancers and smaller companies can enjoy the luxury of state-of-the-art facilities to develop their practice and put on a show, especially in a capital city.
Continue ReadingToday I have the privilege of speaking with the divine Juliet Doherty. Juliet was born in Albuquerque, New Mexico, which is slightly more Breaking Bad than “Swan Lake,” but Juliet's grandparents owned a ballet studio which passed to Juliet's mother, and so the artistic genes ran deep.
FREE ARTICLEOne of the gems of New York City’s dance landscape is the Graham Studio Series, a programming cycle that offers behind-the-scenes interaction with the work of the Graham Company in their studio space. In early January, the series presented a Graham Deconstructed event exploring Martha Graham’s modernist masterwork “Cave of the Heart.”
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