Lists of Promise
“Lists of Promise,” a new work currently in a two-week run from March 13- 30 at the East Village cultural landmark, Theater for the New City, promised more than it delivered, at least for now.
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“Tanz” opens on a ballet class like none I’ve ever attended. Onstage are two portable barres and four dancers in rehearsal clothes stretching and warming up. Eighty-three-year-old ballerina Beatrice Cordua teaches from a wheelchair, naked. “The toes are the tongue of the foot,” she declares as the dancers tendu at the barre. “You should take your clothes off,” she suggests. “Muscle is beauty. Muscle is movement.” Soon the stage is filled with curvy, tattooed female flesh. A series of grand tendus reveals glimpses of vulva that challenge my sense of modesty. A familiar floor stretch leaves nothing to the imagination.
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“Lists of Promise,” a new work currently in a two-week run from March 13- 30 at the East Village cultural landmark, Theater for the New City, promised more than it delivered, at least for now.
Continue Reading“State of Heads” opens with a blaze of white light and loud clanking onto a white-suited Levi Gonzalez, part Elvis, part televangelist addressing his congregation. A pair of women sidle in—Rebecca Cyr and Donna Uchizono—dressed in ankle-length white dresses and cowered posture.
Continue ReadingThe late John Ashford, a pioneer in programming emerging contemporary choreographers across Europe, once told me that he could tell what sort of choreographer a young artist would turn into when watching their first creations.
Continue ReadingLast weekend, the Royal New Zealand Ballet hosted two nights of performance in collaboration with the Scottish Ballet at the St. James’ Theatre in Wellington, New Zealand. The bill included two works by choreographers affiliated with Scottish Ballet, and two by RNZB choreographers. There was welcome contrast in timbre and tempo, and common themes of self-actualisation and connection, through a love of dance. As RNZB artistic director Ty King-Wall announced in the audience address, the two-night only performance was in the spirit of “bringing the companies together in mutual admiration and respect.”
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Great review! I’m sorry I couldn’t get to this show!