The work pulls from a variety of influences. Tai-chi, the volatile tectonic plates that Taiwan sits upon, breath and water. Sometimes they play out with clarity in the kinetic energy and fragmented set piece, but the work seems more concerned with the relationship between our subjects than the ancillary elements. Lu Yang-chieh creeps out from under a granite, compartmented set piece to the sound of a ghostly breath, as if emerging from a sarcophagus. She displays odd, irrational behaviour, all twitching muscles and snappy motions. She pulls Lee Kuan-ling’s limbs to her ear, fixated on his heartbeat (her own sounds like static). They join hands and float about the stage like weightless spacemen. “Push and Pull” plays out quite a bit like an unromantic ghost story. A danced séance.