Rites and Rituals
Even in stillness, there is energy. When the stage lights up on Cassandra Trenary, the dancer is already quivering, muscles tensed, as if gearing up for a fight. That is precisely what ensues.
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We are thrilled to announce the launch of our second printed edition Fjord Review #2! Contributed to by our brilliant cohort of writers, FR #2 is 160 pages of pure dance, in a totable, perfect-bound book, printed sustainably by carbon-offset certified printers Hemlock. We've stepped it up for FR#2 and will be releasing an incredible video in conjunction with this edition.
Godwin Merano and Arielle Miralles. Photograph by Karolina Kuras
Fjord Review #2 features photography by Karolina Kuras, design by Lorenzo Spatocco and is edited by Penelope Ford. As well as publishing in-depth reviews, interviews with stars of the stage and profiles of choreographers that move us, and feature articles for a deep dive into dance, we also have the pleasure of featuring some fantastic guest photographers.
Jason Ferro and Hannah Galway. Photograph by Ethan Watts 
Jason Ferro and Hannah Galway. Photograph by Ethan Watts 
Jason Ferro and Genevieve Penn Nabity. Photograph by Ethan Watts
FR#2 will be available through our website soon. Sign up to our newsletter for updates on the release, behind the scenes and more info on this sensational second edition. We are thrilled to be able to work with all our collaborators, and our heartfelt thanks to all who supported this edition! Stay tuned for updates on the launch of FR#2!
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The Dancer's Duty
Cell phones and motorcycle headlights illuminated the stage at the Teatro América during a recent performance of the ballet company ProDanza. When the music also failed, audience members joined dancers in singing along, ensuring the show could go on.
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Flight or Fight
How do we navigate a balance between the collective and the individual? How do we negotiate strength and flexibility? How do we value tradition while embracing innovation?
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Smoke and Mirrors
“Vibrations” closes the Opéra Garnier’s 2025/26 season with what might be read as a triptych on dance’s future, past, and present.
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