World-class review of ballet and dance.
The Flamenco Festival has been bringing Spain's greatest flamenco artists to New York City Center for twenty years. This year's two-week run saw the National Ballet of Spain, Premio Nacional de Danza winner Olga Pericet in her intimate solo piece, “La Leona,” and Gala Flamenca, highlighting dance talents Manuel Liñán, Alfonso Losa, El Yiyo, and Paula Comitre, accompanied by vocalist Sandra Carrasco. Steven Pisano photographed the festival for Fjord Review.
Entering the theater at Lincoln Center’s Alice Tully Hall, one hears birds chirping and the blowing of the wind. Haze swirls from the open stage revealing only the faint outline of a set built to resemble the windswept, sandstone rock formations of Wadi AlFann (Valley of the Arts) in the ancient oasis of AlUla in the Saudi Arabian desert.
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A celebrated performer, educator and arts leader, Christopher Charles McDaniel, who was born in 1992 in East Harlem, New York, fell in love with ballet at age seven and has never looked back.
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A nearly 200-year-old story is having a moment. “Eugene Onegin,” the novel in verse by Alexander Pushkin, which published in 1833, has made its way to countless stages in ballet and opera adaptations in the past few months—the most recent being American Ballet Theatre’s production of “Onegin,” the John Cranko ballet, which was originally created for the Stuttgart Ballet in 1965.
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In early June, the Scottish Ballet came to Koch Theater at Lincoln Center, New York, with “Mary, Queen of Scots” for a run of five performances.
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