World-class review of ballet and dance.
The Flamenco Festival has been bringing Spain's greatest flamenco artists to New York City Center for twenty years. This year's two-week run saw the National Ballet of Spain, Premio Nacional de Danza winner Olga Pericet in her intimate solo piece, “La Leona,” and Gala Flamenca, highlighting dance talents Manuel Liñán, Alfonso Losa, El Yiyo, and Paula Comitre, accompanied by vocalist Sandra Carrasco. Steven Pisano photographed the festival for Fjord Review.
The way Margaret Jenkins tells it, Dianne came to her dance company’s studios in 1973, asking to take class. Dianne was then living in a one-bedroom apartment near San Francisco’s Mission District with her scientist husband and three young kids.
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Waiting in the theater, the first unhurried trickle of French composer Erik Satie’s piano variation barely registers amidst the house chatter. Sparse and minimalistic, swelling with silences, the striking keys eventually conjure up a dancer.
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“When you visit Kati Thanda–Lake Eyre, you realise that this is a place where time does not exist,” writes choreographer Frances Rings in her notes for Terrain, and the resonance with Wayne McGregor’s theme for the 2026 Biennale Danza, Time Does Not Exist, is unmistakable.
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It starts out light and coquettish. George Balanchine’s “Sonatine,” set to the composition by Maurice Ravel of the same name, is undeniably lighthearted, as the dancers—here, Léonore Baulac and Germain Louvet—find themselves animated by the music, as they share the stage with a grand piano (and pianist Elena Bonnay at its helm).
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