This site has limited support for your browser. We recommend switching to Edge, Chrome, Safari, or Firefox.

Flying Fish

Designed by Alice has been a go-to for dancers for whimsical ballet skirts, and luxurious handmade accessories such as silk scarves and scrunchies. DBA has just released a bodysuit in the signature Somefish design, a jewel-toned watercolour reminiscent of the sea. We caught up with Alice Williamson, the talent behind the label, to chat about the new line, running a business during the pandemic, and her creative projects.

Tene Ward in bodysuit by Designed by Alice. Photograph by Karolina Kuras

subscribe to the latest in dance


“Uncommonly intelligent, substantial coverage.”

Your weekly source for world-class dance reviews, interviews, articles, and more.

Already a paid subscriber? Login

“The bodysuit has been five years in the making,” says the UK-based designer and dancer. Usually busy juggling an array of creative projects, lockdown gave Williamson a chance to revisit the bodysuit, a project which she started several years ago.

Inspired by the sea, the Somefish bodysuit is made from recycled plastic bottles, fished out of the oceans they pollute. “It's always been important to me that I avoid making ‘stuff’,” she says. The sustainable material offers two-way stretch as well as being resistant to chlorine, UV and oils so would-be mermaids can enjoy a day at the beach or working out in the studio.

Williamson, a classically trained dancer who performed for over a decade with dance companies in the UK, started DBA in 2010. Wanting to expand her creative horizons, the label began as an umbrella for her creative talents, including design and illustration. She quickly branched out into multi-disciplinary projects, residencies and commissions spanning dance, photography, film and design.​

Her motto might be expect the unexpected: Williamson's projects include choreographing for robots at Harvard's ArtLab, choreographing, directing and designing costumes for “Skeleton Song” by critically acclaimed singer and composer Ana Silvera, making soft toys for JellyCat, and photographing for Vogue Italia with dancer Juliet Burnett.

Coming into her eleventh year of Designed by Alice, she says, it's become her “main thing,” no longer a side-hustle or creative outlet. “As a designer, I want to create pieces that collaborate with the human body,” she writes on her Instagram. Fans of the brand can look forward to an expanding presence in and beyond the dance studio.

Somefish bodysuits are currently available to pre-order on Designed by Alice.

Penelope Ford


Penelope is the founding editor of Fjord Review, international magazine of dance and ballet. Penelope graduated from Law and Arts with majors in philosophy and languages from the University of Melbourne, Australia, before turning to the world of dance. She lives in Italy.

comments

Featured

Back to School
REVIEWS | Victoria Looseleaf

Back to School

Who knew that a PB & J sandwich could conjure Proust’s madeleine? Certainly not this writer. But it’s not farfetched to think that Lincoln Jones, the artistic director, choreographer and conceptual guru of American Contemporary Ballet, had the idea of memory in mind when he conceived “Homecoming.”

Continue Reading
Contemporary Embodiment of Korean Spirit
REVIEWS | Karen Greenspan

Contemporary Embodiment of Korean Spirit

The Korean Cultural Center New York presented the ChangMu Dance Company this past week and treated the public to an artistic gem. ChangMu Dance Company, currently with fourteen dancers, was founded in 1976 by Kim MaeJa, a pioneer of Korean “creative dance.”

Continue Reading
Multifaceted Jewel
REVIEWS | Kris Kosaka

Multifaceted Jewel

At the New National Theatre in Tokyo last week, the National Ballet of Japan’s (NBJ) triple bill, “Ballet Coffret,” indeed offered up three jewels of dance: the traditional, the modern, and the multi-faceted.

Continue Reading
Between Sea and Sky
REVIEWS | Claudia Lawson

Between Sea and Sky

Bangarra Dance Theatre first brought this cross-cultural work to the main stage of the Sydney Opera House in June 2024. “The Light Inside” is a wondrous collaboration between leading Māori choreographer Moss Te Ururangi Patterson and Bangarra choreographer, Deborah Brown.

FREE ARTICLE
Good Subscription Agency