Dance to the Letter
Looking to the alphabet, many letters have been used to describe a swan, from the S of their long necks to the letters V and J to describe the overhead...
Continue ReadingWorld-class review of ballet and dance.
This performance of Alexander Whitley’s “Pattern Recognition,” which premiered at London’s Platform Theatre in April, was the kick-off to a five-leg autumn tour around the UK. The London-based choreographer has teamed up with digital designer Memo Akten to create a 50-minute contemporary work that uses motion-responsive technology to explore themes of consciousness, memory and fragmentation in the digital age. The technology comes in the form of eight chunky floor lamps that sense and track the dancers’ movements, responding with their own illuminated patterns. The lights, the programme makes clear, “are not pre-programmed but are driven only by the movement of the dancers.”
Performance
Place
Words
Alexander Whitley and Natalie Allen in “Pattern Recognition” by Alexander Whitley. Photograph by Tristram Kenton
Starting at $49.99/year
Already a paid subscriber? Login
Looking to the alphabet, many letters have been used to describe a swan, from the S of their long necks to the letters V and J to describe the overhead...
Continue ReadingThe past week has been one of celebration at New York City Ballet. The company is marking seventy-five years of existence with a season devoted to the ballets of its...
FREE ARTICLE
comments