A Note on Movement
“A dancer’s intelligence,” writes critic Edwin Denby in “A Note on Dance Intelligence” (1944), “isn’t shown by what intellectual allusions she can make in costume or pantomime, or, if she is a choreographer, in her subject matter. It is shown by how interesting to look at she can make her body the whole time she is on stage.” When dancers deliver “interesting” movements, he explains, they can create different visual and, in turn, emotional experiences for audiences.
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