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The Dreamer's Life
REVIEWS | Cecilia Whalen

The Dreamer's Life

A stool, a clothesline, a hanging sheet. But for these three things, the stage set for “Woolgathering” was largely empty. “Woolgathering” is a ‘spoken word opera’ directed and composed by Oliver Tompkins Ray with choreography by John Heginbotham, inspired by the poetic memoir by Patti Smith.

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Flaws in the Short Game
REVIEWS | Faye Arthurs

Flaws in the Short Game

The American Ballet Theatre’s opening bill was not a hole-in-one, but the ideas behind the programming were sound: feature a new work that builds upon company traditions (Gemma Bond’s “La Boutique”), push the dancers in a different style by a hot choreographer (Kyle Abraham’s “Mercurial Son”), and show off the troupe’s prodigious technical chops in a grand manner (Harald Lander’s “É tudes”). 

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Good and Evil, Embodied
REVIEWS | Sophie Bress

Good and Evil, Embodied

During opening night of Ballet West’s performance of Val Caniparoli’s “Jekyll & Hyde,” my dad turned to me and said, “I remember you once told me that dancers are telling stories with their bodies.

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Working the Room
REVIEWS | Lorna Irvine

Working the Room

In a small white studio space, the line between performers and audience is being blurred. Choreographer Meytal Blanaru, born in Israel but now Brussels based, has devised this piece along with the dancers, and it’s multifaceted indeed, a study in hope and community spirit, with many playful detours along the way.

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Music and Meaning
REVIEWS | Merilyn Jackson

Music and Meaning

I’ve been thinking about content for a while now. Without it, blogs, websites, and other social media die. But content, as an adjective, has a different meaning: to be pleased, gratified or even, complacent. It is also the root of the adjective contentious.

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Atonement
REVIEWS | Róisín O’Brien

Atonement

When I first read Ian McEwan’s Atonement at university, my lecturer told us that, upon finishing the book, she threw it on the ground. 

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Darkness Never Dies
REVIEWS | Victoria Looseleaf

Darkness Never Dies

Touted as a “Halloween destination for ballet and horror fans alike,” American Contemporary Ballet, now in its thirteenth season—a feat in and of itself for any dance company—is presenting, “LA’s Fatal Attraction: “Inferno” (2017), “Burlesque” (2018), and “The Rite” (2023), in repertory throughout October.

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Water World
REVIEWS | Kris Kosaka

Water World

To children or the young at heart, it’s pure magic. “Mermaid,” the beloved Hans Christian Anderson fairy tale, reworked and dazzling to behold, is a new original production from K-Ballet Tokyo.

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Dreams and Disorder
REVIEWS | Emily May

Dreams and Disorder

There are certain elements you can expect to find in any piece by Hofesh Shechter: a deafening, grungy, and distorted score composed by the choreographer himself; dim lighting and smoke enveloping the stage to create a nostalgic yet unsettling atmosphere; and a signature hunch-shouldered, gestural movement language referencing various forms of folk dance.

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