Boundless Beauty
As I watch one after another pastel tutu clad ballerina bourrée into the arms of a white-tighted danseur, a melody not credited on the program floats through my brain. You know the one.
Continua a leggereWorld-class review of ballet and dance.
Dreadlocks are not the first thing that come to mind, looking at UK artist Nicola Turner’s fibre sculpture currently installed at Carvalho Park gallery in East Williamsburg. But I hesitate to open a review with a vision of the poop emoji. Five fat coils of coffee and charcoal colored horsehair and wool bound with netting fill the gallery, three of them perched on aluminum legs with wheels that look like orthopedic walkers, plus one more that trails down the wall at window level. However, once dancers Taylor Stanley and Alec Knight enter the space, a landscape of sea-scarred rock formations at low-tide begins to emerge. When Stanley drapes their limbs over the largest of the rocks, I see a creature warming itself in the sun.
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As I watch one after another pastel tutu clad ballerina bourrée into the arms of a white-tighted danseur, a melody not credited on the program floats through my brain. You know the one.
Continua a leggereMisty Copeland’s upcoming retirement from American Ballet Theatre—where she made history as the first Black female principal dancer and subsequently shot to fame in the ballet world and beyond—means many things.
Continua a leggereHaneul Jung oscillates between the definition of the Korean word, man-il meaning “ten thousand days” and “what if.”
Continua a leggereMoss Te Ururangi Patterson describes his choreographic process having a conversation with other elements. As he describes pushing himself under the waves, and a feeling of meditative, buoyancy as he floated in space, the impression of light beneath the water was paramount.
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