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Light on their Feet
REVIEWS | Victoria Looseleaf

Light on their Feet

 It was sensory overload at the Marciano Art Foundation last weekend when six members of LA Dance Project performed side-by-side, around, and, at times, seemingly in tandem, with Doug Aitken’s film, Lightscape.

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Tidal Movements
REVIEWS | Cecilia Whalen

Tidal Movements

Three dancers drip down a wall like paint. Their backs press against the background as they slowly bend their knees, oozing down a blank canvas. This is a scene from John Jasperse's latest work, “Tides,” which had its premiere as part of the La MaMa Moves! Dance Festival April 10-13.

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Evolving Dynamism
REVIEWS | Sara Veale

Evolving Dynamism

English National Ballet’s latest mixed bill presents a trio of works from William Forsythe, a dancemaker known for slanting ballet into new gradients, some playful, some confrontational, all of them spirited and agile.

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Aim True
REVIEWS | Victoria Looseleaf

Aim True

With his peerless vocabulary of postmodern abstract moves—or, as he’s called it, “gumbo style,” which blends Black dance with classical ballet techniques—Kyle Abraham, a 2013 MacArthur Genius grant awardee, has been making thought-provoking works for decades.

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Artistic Reintegration
REVIEWS | Faye Arthurs

Artistic Reintegration

While the television show Severance has been exploring the pitfalls of a complete division between people’s work and home lives, Sara Mearns’s recent solo show at New York City Center presented the dangers of the inverse.

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The Dancers Have It
REVIEWS | Sophie Bress

The Dancers Have It

In Ballet West’s most recent triple bill, which featured Jiří Kylián’s “Symphony of Psalms,” George Balanchine’s “Apollo,” and Nicolo Fonte’s “The Rite of Spring,” the dancers shone brighter than the choreographers.

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A Moving Prayer
REVIEWS | Karen Hildebrand

A Moving Prayer

In 1982, Bebe Miller made her debut as a dancemaker when Ishmael Houston-Jones invited her into his Parallels series that featured Black choreographers who were experimenting in new forms.

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