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Twists and Turns
REVIEWS | Karen Hildebrand

Twists and Turns

As part of a new two-week summer dance festival, Lincoln Center brings back a popular work by French choreographer Rachid Ouramdane first shown in NYC ten years ago. “Tordre,” which means to twist or contort, is a duet that operates as double solos.

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Revise and Repeat
REVIEWS | Rebecca Deczynski

Revise and Repeat

There is no such thing as a “Lucinda Childs vocabulary,” the choreographer herself clarifies in a pre-show talk with Gideon Lester, the artistic director and chief executive of Bard College’s Fisher Center. Inside the spectacular, Frank Gehry-designed building, the choreographer—who days before, celebrated her 86th birthday—is about two hours away from performing herself.  

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Flying colours
REVIEWS | Gracia Haby

Flying colours

Upon arrival, colour greets me, and how. A wall of colour and pattern by Jeffrey Gibson, a member of the Mississippi Band of Choctaw Indians and of Cherokee descent, it is joyous and intriguing, loaded and bright. Snaking up the two sides, in blue lettering, all caps, a tantalising premise: “The only way out is through.”

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Cross country
REVIEWS | Victoria Looseleaf

Cross country

Welcomed back to Los Angeles for the first time in 22 years (but who’s counting!), New York City Ballet made a triumphant return to the Dorothy Chandler Pavilion in two separate programs.

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Summer Swans
REVIEWS | Rebecca Deczynski

Summer Swans

Like picnicking in Central Park, catching the ferry to the Rockaways, or heading to Citifield for a Mets game, American Ballet Theatre’s “Swan Lake” is a well-established summer tradition for countless New Yorkers.

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On Point
REVIEWS | Robert Steven Mack

On Point

Pointeworks is the new kid on the block in San Diego’s thriving dance scene. Founded by Sophie Williams, a dancer with Texas Ballet Theatre and a San Diego native who grew up training in Solana Beach, the company says it seeks to provide off-season work for dancers and highlight female choreographers.

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Idol Dreams
REVIEWS | Elsa Giovanna Simonetti

Idol Dreams

Conceived by a Frenchman in imperial Russia and restaged by a Russian in post-Cold War France, “La Bayadère” periodically returns to the Paris Opera stage with its fakirs, idols and opium dreams.

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Mirror Images
REVIEWS | Karen Hildebrand

Mirror Images

A carousel spins in the middle of the grassy area outside Colonels Row on Governors Island. For the next three hours, mirrored vertical bars that form a cage on the spinning structure will reflect changing light, flashes of audience faces, and the green of surrounding trees, as late afternoon settles into dusk.

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