Serge Laurent, Reflecting on Dance
When a balletomane thinks of gemstones, the name George Balanchine immediately comes to mind, specifically his masterpiece, “Jewels.”
FREE ARTICLEWorld-class review of ballet and dance.
When a balletomane thinks of gemstones, the name George Balanchine immediately comes to mind, specifically his masterpiece, “Jewels.”
FREE ARTICLERosalind Crisp on DIRt (Dance In Regional disasTer zones) and how dance and collaborative arts practice might respond to the unfolding extinction crisis.
FREE ARTICLEThe Guggenheim Museum’s beloved behind-the-scenes New York dance series, Works & Process, was founded in 1984 by philanthropist Mary Sharp Cronson.
Continue ReadingBatsheva Dance Company, under the artistic direction of Ohad Naharin, who led the troupe from 1990 until 2019 (he’s currently House Choreographer), has been an incubator for dancemaking talent. While the names Danielle Agami, Sharon Eyal, and Hofesh Shechter may come to mind, add to that list Bobbi Jene Smith and Or Schraiber, who met while members of Batsheva, where they fell in love and subsequently married in 2018.
Continue ReadingThe choreographer Alexei Ratmansky reflects on the war in Ukraine, the connection between geopolitics and ballet, and joining the house of Balanchine.
Continue ReadingFor novelists Eliza Knight, Barbara Quick, and Cathy Marie Buchanan, historical fiction became a window into these subtleties, allowing them to use both research and imagination to depict some of the dance world’s most iconic figures.
FREE ARTICLEIlter Ibrahimof is the cofounder and artistic director of Toronto’s Fall for Dance North festival. Held annually since 2014, FFDN is a Canadian offshoot of the beloved New York City Center series.
FREE ARTICLEFor thirteen years, from 2011 until this summer of 2023, Virginia Johnson was Dance Theatre of Harlem’s artistic director.
Continue ReadingWhen Mark Morris Dance Group comes to the Joyce Theater August 1-12, the two-week engagement will be one for the dance history books.
FREE ARTICLEA few years ago, I had the pleasure of catching a perfectly shaped, humorous dance vignette of two dancers with two chairs, set to the first movement of Bach’s Violin Concerto in A minor.
FREE ARTICLEFrom the Joffrey Ballet of Chicago and Ballet Hispánico, to the Royal Ballet of Flanders and Danza Contemporanea de Cuba, choreographer Annabelle Lopez Ochoa has covered the terpsichorean waterfront.
Continue Reading“That was beautiful, but I didn’t get it,” was a refrain Brett Ishida got used to hearing in the audience at dance performances.
Continue ReadingWatching Matthew Bourne's reworked version of the “star-cross'd lovers,” I was briefly reminded of Veronica, played by Winona Ryder, in the dark 1988 comedy by Daniel Waters and Michael Lehmann, Heathers, and her line, “my teen angst bullshit has a body count.” Yes, this is the darker side of Bourne's repertoire,...
Continue ReadingThe choreographer Alexei Ratmansky reflects on the war in Ukraine, the connection between geopolitics and ballet, and joining the house of Balanchine.
Continue ReadingBeneath blue California skies, manicured trees, and the occasional hum of an overhead airplane, Tamara Rojo took the Frost Amphitheater stage at Stanford University to introduce herself as the new artistic director of San Francisco Ballet.
Continue ReadingAfter a week of the well-balanced meal that is “Jewels”—the nutritive, potentially tedious, leafy greens of “Emeralds,” the gamy, carnivorous “Rubies,” and the decadent, shiny white mountains of meringue in “Diamonds”—the New York City Ballet continued its 75th Anniversary All-Balanchine Fall Season with rather more dyspeptic fare.
Continue ReadingAn “Ajiaco” is a type of soup common to Colombia, Cuba, and Peru that combines a variety of different vegetables, spices, and meats.
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