A Danced Rituel
When Frank Gehry was tapped to be the architect of Walt Disney Concert Hall, home to both the Los Angeles Philharmonic and the Los Angeles Master Chorale, he envisioned the space to be “a living room for the city.”
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The Guggenheim Museum’s beloved behind-the-scenes New York dance series, Works & Process, was founded in 1984 by philanthropist Mary Sharp Cronson.
“The story goes that the Guggenheim approached her and said, ‘Will you underwrite a performing arts series?’” said Duke Dang, executive director of Works & Process. “She had been on the board of New York City Ballet. Her brother, Peter Jay Sharp, was the chair of Juilliard. Her mother was the board chair of Martha Graham in the ‘70s. It makes sense that the Guggenheim would approach her. But she wasn’t just going to write a check and hope that the work got done. She said, ‘I’m creating a nonprofit so that I can make sure that artists are paid.’ She recognized her privilege, having grown up in a family where she was always invited to a dress rehearsal or to visit the studio or given a chance to meet artists at a reception. She wasn’t interested in creating another performing arts series. She wanted to share this experience she had had in her life with anyone who was willing to buy a ticket. And I continue to tell the story because these two principles still guide us: One, artists are always paid. And two, sharing the creative process.”
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When Frank Gehry was tapped to be the architect of Walt Disney Concert Hall, home to both the Los Angeles Philharmonic and the Los Angeles Master Chorale, he envisioned the space to be “a living room for the city.”
Continue ReadingSan Francisco’s War Memorial Opera House is a grand, gracious theater, so it was a big deal to see the San Francisco Ballet School hold its end-of-year performances in that hall for the first time since at least 1985.
Continue ReadingAt its heart, “Sylvia” is a ballet about the resistance to love—a theme that continues to resonate deeply, as the human spirit often recoils from love, driven by fear, pride, a need for control, or the weight of duties and moral constraints.
Continue ReadingSince the 1970s, the Paris Opera Ballet has cultivated a distinctive tradition of nurturing its own dancers as emerging choreographers.
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What a great interview Candice! I was a participant in early W&P shows when Duke was pretty green, but even then his intelligence, enthusiasm, and work ethic were as clear as day. Kudos Duke for your astonishing and wonderful accomplishments!