World-class review of ballet and dance.
We are thrilled to announce the launch of our second printed edition Fjord Review #2! Contributed to by our brilliant cohort of writers, FR #2 is 160 pages of pure dance, in a totable, perfect-bound book, printed sustainably by carbon-offset certified printers Hemlock. We've stepped it up for FR#2 and will be releasing an incredible video in conjunction with this edition.
Godwin Merano and Arielle Miralles. Photograph by Karolina Kuras
Fjord Review #2 features photography by Karolina Kuras, design by Lorenzo Spatocco and is edited by Penelope Ford. As well as publishing in-depth reviews, interviews with stars of the stage and profiles of choreographers that move us, and feature articles for a deep dive into dance, we also have the pleasure of featuring some fantastic guest photographers.
FR#2 will be available through our website soon. Sign up to our newsletter for updates on the release, behind the scenes and more info on this sensational second edition. We are thrilled to be able to work with all our collaborators, and our heartfelt thanks to all who supported this edition! Stay tuned for updates on the launch of FR#2!
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Oh to love and be loved, what a beautiful mess it is. Nobody captures the contradictions of passion quite like Pina Bausch, whose “Sweet Mambo” is cast in her signature silly-meets-sincere mould—another treat for us Bausch bods out here, less fetching perhaps if you’re not a fan of her highly mannered house style.
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Continuing a project launched in 2019, lyrical singer Ekaterina Anapolskaya and former Opéra de Paris sujet, now professor at the ballet school, Gilles Isoart curated an evening of international guests conceived as a celebration of the nineteenth-century heritage.
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London loves Pina Bausch. The Tanztheater legend is an annual fixture at Sadler’s Wells, and her work still manages to be one of the hottest tickets in town.
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I caught the New York City Ballet’s two Winter Season premieres last week, and it seems that opposites are still attracting over at the Koch Theater.
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