Super Nothing
In the world premiere of Miguel Gutierrez’s “Super Nothing,” the quartet of performers fly through the vast, empty black box theater at New York Live Arts, small forms cast out like particles of light.
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Reading up on the backstory of how Alejandro Cerrudo’s “One Thousand Pieces” finally made it to the stage at Pacific Northwest Ballet, one is struck by the epic commitment the company lavished upon an epically scaled dance.
“One Thousand Pieces” is 70 minutes long, composed in three parts and 35 sections. Prior to the performance at PNB, it had been performed only one time, at Hubbard Street Dance Chicago in 2012. In order to perform the mélange of Philip Glass compositions live, PNB’s orchestra invested two years of chasing down copyright permissions and locating rare scores. Finally, there’s the epically disrupted timeline of the work’s rehearsal journey in Seattle. Originally slated for a 2020 company premiere, “One Thousand Pieces” was the last work PNB ran in dress rehearsal before Covid-19 shut down theaters. The company then danced one section of it for a digital stream release in 2021. But only this March, a year after Cerrudo wound down his stint as PNB’s resident choreographer, was the work finally danced in full.
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In the world premiere of Miguel Gutierrez’s “Super Nothing,” the quartet of performers fly through the vast, empty black box theater at New York Live Arts, small forms cast out like particles of light.
Continue Reading“Well, it’s big,” Seattle ballet fans were saying as they headed into McCaw Hall’s sleek sanctuary of velvet settees and shiny metal staircases.
Continue ReadingWho says choreography can’t be taught? Not Ellen Robbins, a modern dance educator who has been teaching the art of choreography to young people in Soho for decades.
Continue ReadingNever forget!” With the 80th anniversary of the liberation of Auschwitz and International Holocaust Remembrance Day both having been recognized last month, these words, although unspoken, coursed through Melissa Barak’s first evening-length ballet, “Memoryhouse.”
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