The Mahabharata: A Timeless Retelling
Why Not Theatre’s bold, multidisciplinary adaptation of the Mahabharata drew a rapt audience at Lincoln Center’s vibrant summer arts festival “Summer for the City.”
Continue ReadingWorld-class review of ballet and dance.
In Seoul, South Korea, at the Jongmyo shrine, a royal ancestral ritual of prescribed music and dance is performed annually. The tradition to praise and honor the ancestors of the Joseon Dynasty (1392-1910) has been kept for over 600 years. This dance form, called ilmu, which translates as “line dance” or “one dance,” requires 64 dancers positioned in eight lines of eight moving as one in restrained unison. Wearing long, full, colored robes and carrying symbolic props in their hands, the dancers perform the slow, controlled, set sequences reinforcing Confucian ideals—order, harmony of yin and yang, and filial piety—in the service of societal stability. Similar rituals were originally practiced in China as well, but the practices were discontinued there with the abolition of the monarchy.
Performance
Place
Words
“Uncommonly intelligent, substantial coverage.”
Your weekly source for world-class dance reviews, interviews, articles, and more.
Already a paid subscriber? Login
Why Not Theatre’s bold, multidisciplinary adaptation of the Mahabharata drew a rapt audience at Lincoln Center’s vibrant summer arts festival “Summer for the City.”
Continue ReadingStephen Petronio has an odd way of celebrating his 40th anniversary. He and his board have decided this season will be the company’s last.
Continue ReadingWashington, D.C.’s 100° June weather wasn’t the only thing generating heat in the city. Chamber Dance Project’s 11th annual D.C. summer season production, “Red Angels,” produced its own scorching intensity as one of this summer’s early triumphs.
Continue ReadingA ballet body is essentially a deformed body. The older and more experienced the dancer, the more evident–and beautiful–this deformation is.
Continue Reading
comments