Director's Cut
Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
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The Dance Theatre of Harlem returned to City Center this week for the first time under the leadership of Robert Garland, a former company dancer, school director, and resident choreographer. This was the launch of an exciting new beginning, though the troupe was simultaneously celebrating its past. This year marks company’s 55th anniversary as well as what would be the 90th birthday of founder Arthur Mitchell, who passed away in 2018. Mitchell, the first Black principal in a major American dance company (the New York City Ballet), sought to “take young people off the streets and get them involved in the arts”—as Zita Allen quotes in a terrific program article. For his artistic directorial debut, Garland brought a well-curated quartet of works that made for a balanced and uplifting evening—the kind of show that leaves you smiling when you exit. Though his own choreographic entry was the slightest in the lineup, it’s clear that Garland understands Mitchell’s lofty, activist mission.
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Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
Continue ReadingThe Trisha Brown Dance Company embarks on a national tour this June celebrating the centennial of avant-garde American visual artist Robert Rauschenberg.
Continue ReadingFor Ballet Hispánico’s upcoming season at New York City Center from May 29-June 1, the company will present Gustavo Ramírez Sansano's “Carmen.maquia,” a contemporary take on the timeless story at the heart of George Bizet’s unforgettable opera “Carmen.”
Continue ReadingAngelina Laguna kneels on the sidewalk and places her body perpendicular to the flow of the First Avenue foot traffic.
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