This site has limited support for your browser. We recommend switching to Edge, Chrome, Safari, or Firefox.

Box of Dreams

Someday we will recognize the dance pieces created during the pandemic, conceived for the camera, performed by a few dancers, innervated by a sense of instability. It is the case with the new “I wonder where the dreams I don’t remember go,” staged by Yoann Bourgeois for NDT1, filmed without audience and streamed on demand in two performances on the website’s company. A piece that in the past we would have called a “video dance.” The French artist, trained as a circus acrobat and raised as a contemporary dancer, is quite in demand in Europe as a choreographer since his co-direction of the Centre Chorégraphique National de Grenoble. With the Nederlands Dans Theater he already worked, staging last year “Little Song” for the young troupe.

Performance

NDT1: “I wonder where the dreams I don't remember go” by Yoann Bourgeois, streamed on NDT's website January 7 & 8, 2021

Place

Valentina Bonelli

Words

Valentina Bonelli

NDT in “I wonder where the dreams I don’t remember go” by Yoann Bourgeois. Image via NDT

subscribe to the latest in dance


“Uncommonly intelligent, substantial coverage.”

Your weekly source for world-class dance reviews, interviews, articles, and more.

Already a paid subscriber? Login

Working last November on “I wonder where the dreams I don’t remember go,” the matter of space was crucial, both to the company and to Bourgeois. NDT1 had at its disposal the little Lucent Danstheater, in The Hague, where to conceive a kind of ‘chamber piece,’ while the choreographer—as he stated—stages every creation of his, starting from the space, playing with it like a child until the set was built. And just like a toy model, it looks a simple wooden house, reminding me of those ecological modules that we might assemble and disassemble anywhere without polluting the environment, where one day we all maybe will live, adapting ourselves to a basic life. Yet, this interior closely reminds us of the rooms where many of us spent and are still spending our life in lockdown, in an effort to adapt to the new circumstances innate to human nature.

The maisonette seems to belongs to a man and a woman, probably a couple, living together in a little space, facing one another seated at a table, asking each other where is this and where is that. An exhausting daily routine, in a room becoming more and more claustrophobic for trying to find a new way to live, for instance overturning the floor, walls and ceiling. Even if chairs and table are standing on the walls, the dancers could sit down despite the force of gravity, without losing their aplomb. Only the unnatural direction of hair or ties will reveal the gained position. And without suffering too much: women are always feminine with their long braids, nice blouses, Mary Jane shoes; men are keeping their plastic strength and protective attitude. One more time the human body shows its intelligence.

NDT in “I wonder where the dreams I don’t remember go” by Yoann Bourgeois. Image via NDT

To the eight dancers (four women and four men) involved in the piece, the impossible has become possible after four weeks of training with Yoann and his wife Marie, beginning their rehearsal with a classic lesson, yes, but then trying to achieve a new technique by an experiential process, focused on their so called “box of dreams”—became also a hashtag among the artistic crew.

The melancholic yet metaphysical music by Max Richter, assembled as a medley, is the right soundtrack for the creative, even playful atmosphere needed to stage and perform the piece. But the goal for the dancers—a lifetime achievement for Bourgeois—was to reach his so called “point of suspension:” a zenith balance easy to figure out, difficult to perform. As an alternative, to the dancers and to us, a mental escape is still possible, featured in the piece with upside-down projections of what is really happening and with virtual (or real?) images of our bodies finally free from physical limits.

Considering the circumstances, “I wonder where the dreams I don’t remember go” appears as an exercise of physical strength and mental resistance for the dancers, a divertissement for having some relief while finding a metaphorical sense for the audience.

Valentina Bonelli


Valentina Bonelli is a dance journalist and critic based in Milan, and a longtime contributor to Vogue Italia and Amadeus. She is a correspondent from Italy for international dance magazines such as Dance Europe and Dance Magazine Japan. As a scholar her main interest lies in the XIX century Russian ballet, in its connections with the Italian ballet school. She has translated and edited Marius Petipa’s Memoires (2010) and Diaries (2018) into Italian, and she is currently writing essays and biographies about La Scala ballerinas dancing at Russian Imperial theatres.

comments

Featured

Resistance
REVIEWS | Lorna Irvine

Resistance

What's your poison? Tom of Finland, or Boy George? Madonna, or Marilyn? Top, or bottom? There have been so many recent dramas of late, focussing on eighties' queer culture: The Line of Beauty, Pride, Love Song to Lavender Menace, and It's A Sin, among others.

Continue Reading
Ladies’ Night
REVIEWS | Faye Arthurs

Ladies’ Night

The New York City Ballet’s 2024 Fall Fashion Gala was once again a smashing fundraising success, pulling in 3.2 million dollars and packing the house with slew of well-dressed celebrities and socialites.

Continue Reading
Imperfect Beauty
REVIEWS | Rachel Howard

Imperfect Beauty

Jessica Lang’s “Black Wave,” her first creation as Pacific Northwest Ballet’s new resident choreographer, is an elusive allegory wrapped inside a metaphor wrapped inside a dream. Rarely have I so wanted to ask a choreographer what she intended.

Continue Reading
Balanchine Ascendant
REVIEWS | Faye Arthurs

Balanchine Ascendant

To celebrate the 90th anniversary of the School of American Ballet, advanced students performed Balanchine’s “Serenade” (also 90 this year) on a special, one-off New York City Ballet program. 

Continue Reading
Good Subscription Agency