Modern Dance Hold’em
Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
Continue ReadingWorld-class review of ballet and dance.
There's a strong element of isolation to James Wilton's “Last Man Standing,” a moody two-act work that ruminates on mortality and the existential crises it inspires. The choreography constantly links the six dancers together in tight-grip grasps only to dismantle their connections, a reminder that death is never anything but an individual journey. It's a dark piece to be sure, made even more so by its soundtrack, a tempestuous medley of Tool songs, but the six-strong group (which includes Wilton himself) breathes an indelible radiance into it, lifting the mood out of desperation and into quiet introspection.
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James Wilton's “Last Man Standing.” Photograph by Steve Tanner
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Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
Continue ReadingAs a dance viewer, it’s easy to get swept up in the grand movements in a piece, glossing over the finer details.
Continue ReadingHubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater.
Continue ReadingThe legendary Cuban dancer Carlos Acosta trained relentlessly to come out of retirement last year for a performance of classical works in celebration of his 50th birthday at the Royal Ballet, where he spent most of his professional career.
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