“Unfolding” from Major is a taut and complete artistic collaboration between Major’s fluid choreography, a driving composition by James Brown and crisp 3D animations from lighting designer Fausto Brusamolino. The stark contrast of lit and shadowy spaces, with moving beams of light that the dancers interact with while dressed in minimalist, utilitarian black clothes call to mind urban dystopias. You can almost feel a noir-ish glistening rain when Brusamolino’s makes the cut-glass beams of light fragment.

When the light is widened to cover more of the stage, Major’s wonderful dancers move in expansive arcs, ricocheting off each other. When it’s pared back down or incorporated with projections to create patterns reminiscent of cracked earth or galaxies, the dancers become figureheads for the abstract concepts layered onto them. A slightly clunky moment when the dancers remove their clothes is soon smoothed over when the stage is bathed in the warmth light, inviting a more human and gentler environment. With such abstraction, audiences can choose to map almost any philosophical concept or narrative journey onto what they see; but might instead experience “Unfolding” at a primarily sensory level. Either way, it is satisfying to see such an artistically whole piece of theatre.