Piece by Piece
Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue ReadingWorld-class review of ballet and dance.
We enter off the commercial retail strip of Broadway into a whimsical garden of cardboard cut-outs painted in shades of neon pink, orange, and green by the artist Mimi Gross. The gleaming wood floor of the fully functional dance studio is now bordered with flowering hedges, mirrored wall draped in leafy boughs, the glass itself painted as an enchanted forest. It all seems to quiver under the glow-in-the-dark lighting design of Lauren Parrish. As if a salve for a troubled and contentious world, Douglas Dunn has turned his SoHo loft into a lush “Garden Party,” filled with poetry and music devoted to love. His take on the matter is delivered with a wit so droll, we’re not sure whether the sentiment is genuine or parody. Perhaps at 80, Dunn has the perspective necessary to give us a little of both. With a history rooted in the 1970s spontaneous experiments of Grand Union along with the precision and control of Cunningham technique, his artistic breadth is considerable.
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Douglas Dunn (center), Alexandra Berger, Janet Charleston in “Garden Party.” Photograph by Jacob Burckhardt
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Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue Reading“I can’t even stand it,” exclaimed Tina Finkelman Berkett about the Perenchio Foundation grant that her dance troupe, BodyTraffic, recently received.
Continue ReadingBeneath a tree also over a century old is where I meet dancer and artist Eileen Kramer, and where the 60-minute loop will end. And it feels fitting, on the heels of her recent death on November 15, 2024, at 110-years-of-age, to start here, at effectively the end of Sue Healey’s screening of On View: Icons.
FREE ARTICLEHubbard Street Dance Chicago’s Fall Series will entertain you. Deftly curated, with choreographers ranging from Aszure Barton to Bob Fosse, Hubbard’s dancers ably morph through this riveting programme of showmanship.
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