Ryan Tomash Steps into a New Role
Back in October, New York City Ballet got a new cowboy. His arrival occurred in the final section of George Balanchine’s “Western Symphony.”
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World-class review of ballet and dance.
Bangarra Dance Theatre first brought this cross-cultural work to the main stage of the Sydney Opera House in June 2024. “The Light Inside” is a wondrous collaboration between leading Māori choreographer Moss Te Ururangi Patterson and Bangarra choreographer, Deborah Brown. The work explores the spiritual ties between land, water, and sky—the natural forces that shape First Nations identities across Aotearoa, Australia and the Torres Strait—in one 70-minute production. “The Light Inside” covers two distinct landscapes, Deborah Brown’s “Salt Water,” moving seamlessly into Patterson’s “Fresh Water.” Having debuted at the Sydney Opera House, “The Light Inside” is now touring across Australia.
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Back in October, New York City Ballet got a new cowboy. His arrival occurred in the final section of George Balanchine’s “Western Symphony.”
Continue ReadingWhen Richard Move enters from stage left, his presence is already monumental. In a long-sleeved gown, a wig swept in a dramatic topknot, and his eyes lined in striking swoops, the artist presents himself in the likeness of Martha Graham—though standing at 6’4, he has more than a foot on the late modern dance pioneer.
Continue ReadingPerhaps not since Mikhail Fokine’s 1905 iconic “The Dying Swan” has there been as haunting a solo dance depiction of avian death as Aakash Odedra Company’s “Songs of the Bulbul” (2024).
Continue ReadingDance, at its best, captures nuance particularly well, allowing us to feel deeply and purely. In its wordlessness, it places a primal reliance on movement and embodied knowledge as communication all its own. It can speak directly from the body to the heart, bypassing the brain’s drive to “make sense of.”
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