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Dance Guide

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Elisa Badenes and Friedemann Vogel in “Mayerling” by Kenneth MacMillan. Photograph credit: Stuttgart Ballet

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Looking Back to See Forward
REVIEWS | Karen Greenspan

Looking Back to See Forward

I step off the elevator onto the 5th floor of the Whitney Museum and I am awed by the spectacle, vastness, and ground shifting power of the “Edges of Ailey” exhibition. This tribute to Alvin Ailey and his universe—past, present, and future—not only lifts up its larger-than-life subject but it also, like a great ocean wave, raises up and carries forward everything in its wake.

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Adrift
REVIEWS | Victoria Looseleaf

Adrift

While Kendrick Lamar performed “Humble,” during his Super Bowl halftime set and was surrounded by dancers clad in red, white and blue—and in the process assumed the formation of the American flag (choreographed by Charm La’Donna)—so, too, did Faye Driscoll use performers who created slews of shapes/sculptures in her astonishing work, “Weathering,” seen at REDCAT on February 8, the last of three sold-out performances.

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