A Grand Evening
It was a lovefest at the David H. Koch Theater last Thursday for the Youth America Grand Prix's 25th Anniversary Gala performance. As galas go, the night was awash in pageantry.
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Deborah Hay, a torchbearer of America’s 1960s postmodern dance movement, usually deals in minimalism, which means her work rarely feels embellished, emotive or particularly intense; you’re unlikely encounter explicit themes or narratives. The story is the body and how it moves through space in different iterations—how motions can reach beyond the recognised borders of skill and performance in search of something reflective. The idea of liminality is fundamental to Hay’s choreography, which is usually devised using esoteric questions relating to time, perception and place.
Performance
Place
Words
Cullberg Ballet in “Figure a Sea” by Deborah Hay. Photograph by Urban Jörén
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It was a lovefest at the David H. Koch Theater last Thursday for the Youth America Grand Prix's 25th Anniversary Gala performance. As galas go, the night was awash in pageantry.
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